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Andy interviews Rebecca and Carlos, who have just returned from Cuba where they worked with Cubans and other North Americans with the Venceremos Brigade, about their experiences in Cuba's three larges cities, the oppression of gays in Cuba, and on the changing roles of men and women in Cuba. This is part one of the subseries Cuba And Gays In Cuba, 1976. Both guests identify as gay and discuss how they felt discriminated against within the Venceremos Brigade. Part two was produced in July 1977. Produced by the Fruit Punch Collective. Print-through on master.

This program features an interview with American Composer Janice Giteck and selections from her musical works, L'ange Heurtebise and A'Agita (previously spelled Wi'igita). Giteck grew up in Tucson, Arizona and started playing piano at the age of five, composing at age six. She studied at Mills College in California and at the Paris Conservatory, and taught at Cal State University at Hayward and at UC Berkeley. Giteck is also a member of the Newport Costa Players and the Composers Cooperative. Giteck is married to John Duykers, a tenor with the San Francisco Opera.

L'ange Heurtebise (The angel Herutebise) is based on a text by Jean Cocteau written in 1925, and is performed in French by John Duykers, with piano by Karl Goldstein. This is from a home recording provided by Giteck. A'Agita is based on legends of the Pima and Papago Indians of Southern Arizona and Sonora, Mexico, and is the name given to the harvest ceremonies. The performers of this piece are John Duykers singing the part of Corn Man; Michael Kissin as Old Man Tobacco; Thomasa Eckert as Tobacco Man's Daughter; and Scott Paulin as I'Itoi. The libretto is by Ron Giteck, Janice's cousin. This recording was made for KPFA by George Craig from live performances of the opera in April, May, and June 1977.
Track list: 1. "A'Agita (Wi'igita)" (faded down and out) -- 2. continuity -- 3. "L'ange Heurtebise" -- 4. continuity -- 5. "A'Agita" - prologue -- 6. interview with Janice Giteck & outro -- 7. "A'Agita" (faded down and out)

This program is presented by April McMahon and Renee Roatcap. Published by April McMahon. Audio engineers were Susan Sailow and Joan Medlin.

This episode of Focus On Women Composers presents the Elizabethan Trio, a Bay Area group which performs works from the Elizabethan period and other early musical periods. This program set by the Elizabethan Trio is called "Eight Extraordinary Women program." This program consists of selections of poems, songs, writings, and keyboard works all produced by women of the 16th and 17th centuries. Elinor Armer, a Bay Area composer, set the poems The Flea by John Donne and Sonnet 11 by E. E. Cummings, to music especially for the Trio. The Trio is made up of Laurette Goldberg on harpsichord and virginals; Rella Lossy does the dramatic narrative; and Judith Nelson is the soprano. This tape was made from a performance at 1750 Arch Street in Berkeley. The recording engineer is Bob Schumacher. The pieces performed are The flea / poem by John Donne; music by Elinor Armer -- A poem of grief over her brother's death by Mary Sidney (1561-1621), music by John Bartlett -- Alcina's lament and the sirens' song from La liberazione di Ruggiero dall'isola d'Alcina / opera by Francesca Caccini -- Lagrime Mie / by Barbara Strozzi -- To the ladies / words by Mary Chudleigh -- Lieux ecartez / by Elizabeth Jacquet de la Guerre -- Suite in d minor / by Jacquet de la Guerre -- Sonnet 11 / poem by E. E. Cummings, music by Armer.

This is a recording of members of the Unlearning To Not Speak Collective reading excerpts from the book "Sister of the Road," by Bertha Thompson, published in 1937 and out of print at the time the program was created. Bertha told her story to Dr. Ben L. Reitman, who wrote the introduction. The book describes socialist camps, boarding houses, prostitution, and social change. Program was produced by the following members of the Unlearning To Not Speak Collective: Ellen Dubrowin, Robin Gurse, Pat Hanley, Kathy McAnally, Rose Panico, and Linda Schiffman. Excerpts of the book, including Reitman's introduction, are read by Kathy McAnally, Linda Schiffman, Rose Panico, and Pat Hanley. Self-contained. The Archives have two versions: AZ0144(Copy 1) with music; AZ0144(Copy 2) without.