Words / produced by Deborah Jane Lamberton and Karl Signell.

PRA Archive #:

BZ0022.08

Twelve half-hour programs which explore new ways of thinking about all music: classical, jazz, folk, rock, etc. Includes talk as well as musical examples. Explores such issues as: the impact of commerce on musical taste, the effect of technology, the human body, language, and the brain upon music.|WORDS / produced by Deborah Jane Lamberton and Karl Signell. SERIES: The Nature of music| no. 8. Twelve half-hour programs which explore new ways of thinking about all music: classical, jazz, folk, rock, etc. Includes talk as well as musical examples. Explores such issues as: the impact of commerce on musical taste, the effect of technology, the human body, language, and the brain upon music. Received the Armstrong Foundation and the Gold Medal awards. PARTICIPANTS: Yehudi Menuhin, violinist| Betty Carter, jazz singer| Marina Roseman, anthropologist| Howard Gardner, neuropsychologist| Mitch Miller, producer| Martin Williams, jazz critic. BROADCAST: 16 June 1987.

Date Recorded On:

Date Broadcast On:

16 June 1987.

Item Duration:

1 reel (29 min.) : : 7 1/2 ips., stereo.|29:00

Total Duration (All Reels):

Program: Words / produced by Deborah Jane Lamberton and Karl Signell.
Contributors:
violinist: Yehudi Menuhin
jazz singer: Betty Carter
anthropologist: Marina Roseman
neuropsychologist: Howard Gardner
Producer: Mitch Miller
jazz critic: Martin Williams
Distributor: Distributor

Availability Notice:


pbcoreDescriptionDocument
  • pbcoreIdentifier
    • PRA Archive #: BZ0022.08
  • pbcoreTitle
    • Program: Words / produced by Deborah Jane Lamberton and Karl Signell.
    • Series: The Nature of music ; no. 8
  • pbcoreRightsSummary
    • pbcorePublisher
      • Distributor: Los Angeles : Pacifica Radio Archive, 1987.
    • pbcoreContributor
      • violinist: Yehudi Menuhin
      • jazz singer: Betty Carter
      • anthropologist: Marina Roseman
      • neuropsychologist: Howard Gardner
      • Producer: Mitch Miller
      • jazz critic: Martin Williams