Diliberto, John.
-
Arco Iris and David Gilden : trans-world music IV / produced by John Diliberto and Kimberly Haas.
Weekly radio documentary which explores the merging of music and technology. This program examines the “global village beat” in music of Arco Irish, a mystical group led by Ara and Danais Totkatlian. They fuse the jazz of John Coltrane with South American instruments and forms. David Gilden plays a West African Kora and synthesizers in…
-
Carl Weingarten and Peter Davison : sounds of the circle / produced by John Diliberto and Kimberly Haas.
Weekly radio documentary which explores the merging of music and technology. Davison, one of the first new age composers with his 1980 recording “Music on the Way,” brings together reeds and synthesizers in dreamy landscapes. Weingarten applies minimalist concepts to his electric guitar orchestrations.|CARL WEINGARTEN AND PETER DAVISON : SOUNDS OF THE CIRCLE / produced…
-
Oregon : world music / produced by John Diliberto and Kimberly Haas.
Weekly radio documentary which explores the merging of music and technology. Oregon plays a blend of world rhythms, jazz improvisation, and instrumental compositions in a quartet of classical guitar, oboe, tabla drums, and acoustic bass. Ralph Towner, Glen Moore, Paul McCabdless, and Trilok Gurtu discuss their 20 years of innovation.|OREGON : WORLD MUSIC / produced…
-
Robert Ashley : automatic writings / produced by John Diliberto and Kimberly Haas.
Weekly radio documentary which explores the merging of music and technology. Ashley combines spoken test, subliminal music, and multi-media performances. Works like “Automatic Writing” and “Atlanta” drift from surrealism to logic, hovering between genius and schizophrenia|ROBERT ASHLEY : AUTOMATIC WRITINGS / produced by John Diliberto and Kimberly Haas. – SERIES: Totally wired : III| no.…
-
Robert Fripp : King Crimson / produced by John Diliberto and Kimberly Haas.
Weekly radio documentary which explores the merging of music and technology. King Crimson fuses world rhythms, minimalist disciplines and state-of-the-art technology into a novel, challenging music.|ROBERT FRIPP : KING CRIMSON / produced by John Diliberto and Kimberly Haas. – SERIES: Totally wired : III| no. 5 Weekly radio documentary which explores the merging of music…
-
Richard Burmer : digital tone poems / produced by John Diliberto and Kimberly Haas.
Weekly radio documentary which explores the merging of music and technology. Synthesist Richard Burmer uses digital samples of real instruments and sounds in melodically compelling, atmospherically entrancing tone poems.|RICHARD BURMER : DIGITAL TONE POEMS / produced by John Diliberto and Kimberly Haas. – SERIES: Totally wired : III| no. 6 Weekly radio documentary which explores…
-
Klaus Schulze : pioneer of space / produced by John Diliberto and Kimberly Haas.
Weekly radio documentary which explores the merging of music and technology. Legendary German synthesist, Klaus Schulze, composes expansive compositions for his digital orchestras. he takes us from early psychedelic days of West Berlin to his latest electronic symphony.|KLAUS SCHULZE : PIONEER OF SPACE / produced by John Diliberto and Kimberly Haas. – SERIES: Totally wired…
-
David Bedford : new music in the old country / produced by John Diliberto and Kimberly Haas.
Weekly radio documentary which explores the merging of music and technology. British composer Bedford merges modern compositional forms with minimalist rhythms and occasional pop and jazz sounds. His work includes orchestral scores such as “Stars End,” collaboration with science fiction writer Ursula LeGuin on “Rigel 9,” and collaborations with Mike Oldfield.|DAVID BEDFORD : NEW MUSIC…
-
John Abercrombie and Bill Frisell : digital jazz / produced by John Diliberto and Kimberly Haas.
Weekly radio documentary which explores the merging of music and technology. Guitarists Abercrombie and Frisell discuss their use of technology to expand the potentials of their instrument. Abercrombie discusses his influences: from Jimi Hendrix to Wes Montgomery. Frisell discusses his emergence from the “rock scene” to a personal freedom in jazz.|JOHN ABERCROMBIE AND BILL FRISELL…